Razvan Pandor

via H.

Trailer Autobiografia lui Nicolae Ceauşescu

Du bonheur à l’état pur, brut, natif, volcanique, Quel pied !
C’était mieux que tout.
Mieux que la drogue, mieux que l’héro, mieux que la dope, coke, crack, fitj, joint, shit, shoot, sniff, pet, ganja, Marie-Jeanne, cannabis, beuh, peyotl, buvard, acide, LSD, extasie…
Mieux que le sexe, mieux que la fellation, 69, partouse, masturbation, tantrisme, kama-sutra, brouette thaïlandaise, mieux que le Nutella au beurre de cacahouètes, et le milk-shake banane, mieux que toutes les trilogies de Georges Lucas, l’intégrale des Muppets show, la fin de “2001″…
Mieux que le déhanché d’Emma Peel, Marylin, la Schtroumfette, Lara Croft, Naomi Campbell et le grain de beauté de Cindy Crowford, mieux que la face B d’Abbey Road, les solos d’Hendrix.
Le petit pas de Neil Armstrong sur la lune,
le Space Mountain, cinelog.fr
la ronde du Père Noël,
la fortune de Bill Gates,
les transes du Dalaï Lama,
les NDE,
la résurrection de Lazare,
toutes les piquouzes de testostérone de Schwarzie,
le collagène dans les lèvres de Pamela Anderson,
mieux que Woodstock et les rave-party les plus orgasmiques,
mieux que la défonce de Sade, Rimbaud, Morisson et Castaneda,
mieux que la liberté, mieux que la vie !

You have changed me.

You cured me.

How it is that the answer to
my problems IS not enough?

If my friend had been with “Hope”,
I had been proud of the one.

I suppose that that  is the problem,
proud but not jealous.

And a man prefers to have the jealousies
of somebody before their respect.

I hate to have said that.

“He’s a good-looking clear-eyed fella… about 25. I can see him. He’s the type of guy men want to be around, because he has integrity, you know ? He has character. You can’t fake that. And he’s a guy women want to be around, too. Because there’s tenderness in him… respect… and loyalty, and courage. And women respond to that.”

” Apocalypto is certainly Gibsons finest work. The end product is a masterwork displaying his true prowess in film making. The visuals are beautiful equaled only by the clever camera display in producing a truly entrenching experience. One can’t help but feel supremely involved with this movie, as the viewer is lead through a vivid culture and world of which I personally believe (although perhaps not historically accurate) produced an accurate image of life and its intricacies. This film is relentless, and the violence is not easily avoided by the camera, only adding to the grasping nature of this film, as the viewer is forced, as the Mayans are, to watch the massacre and demise of there brethren, ones own visceral responses in key with those of the suffering (albeit to a much lesser degree, something conjured only within the viewers mind). The only thing that bothered me viewing this film were the immature audience members to my flank, giggling gaily at the sight of an almost bare bottom, or a partially exposed bosom. I feel the gore in this movie was appropriate given the circumstances. I mean, what would one expect from a human sacrifice? Or two people at battle? This film simply more accurately depicts the events that take place during such trying times, and it is this unrelenting quality that I believe the majority of viewers who do not like this movie are maladaptive to. Certainly worth dishing out the seven dollars to see this one, both for psychological viewers, as well as action chasers. “